2009-7-5 · The work is a splendid example of psychological portraiture and exudes a sense of abrupt nervousness that finds close parallels in other Antonine characterizations. The back of the bust has not been hollowed out to provide for a supporting pillar and base. Moreover, the lower edge of the bust approximates the segment of a circle close to two
-style of late Antonine portraiture -looks away from viewer, different from confident imagery of earlier -no major accomplishments, rule followed by military succession/crisis; emperor by bloodline. Monument of Philopappos-Athens Mouseion Hill, AD 114-116-massive funerary monument for individual Course Syllabus - John Cabot University Kleiner (1992): 207-212 (intro to Trajan; portraiture of Trajan and Plotina) 237-42 (intro to Hadrian; portraiture Hadrian and Sabina), 253-56 (Arco di Portogallo Reliefs and Adventus Relief), 267-80 (intro Antonines and Antonine portraiture), 283-85 (intro Antonine State Releifs and Hadrianeum reliefs), 288-95 (Marcus Aurelius Reliefs) Roman Sculpture: History, Characteristics, Types 2016-3-4 · Antonine Dynasty Sculpture (138-192 CE) The effects of the Hadrianic revival lasted for many years. They are evident in most of the reliefs from the reigns of the Antonine emperors, Antoninus Pius (138-161), Marcus Aurelius (161-180), and Commodus (180-192). Online Scholarly Catalogues at the Art Institute of Chicago Welcome to the Art Institute’s online scholarly catalogues. James Ensor: The Temptation of Saint Anthony is an exhibition catalogue which features essays by Susan M. Canning, Patrick Florizoone and Nancy Ireson, Anna Swinbourne, Debora Silverman, and Kimberly J. Nichols. Monet Paintings and Drawings at the Art Institute of Chicago and Renoir Paintings and Drawings at the Art Institute of
From the Collection–Roman Portrait of a Man – Milwaukee
The most obvious change is a sudden increase in numbers of naturalistic portraits as well as in media, and the use of such portraiture not just by the ruling families and the highest levels of Roman Art & Architecture Final Flashcards | Quizlet -style of late Antonine portraiture -looks away from viewer, different from confident imagery of earlier -no major accomplishments, rule followed by military succession/crisis; emperor by bloodline. Monument of Philopappos-Athens Mouseion Hill, AD 114-116-massive funerary monument for individual
2015-7-14 · Elements found in veristic portraiture are present, such as the slight crow’s feet, wrinkles on the forehead, and prominent unibrow. His eyes, however, with their heavy eyelids, upturned gaze, and accentuated pupils and irises, are typically seen in stylized Antonine portraiture.
2016-3-4 · Antonine Dynasty Sculpture (138-192 CE) The effects of the Hadrianic revival lasted for many years. They are evident in most of the reliefs from the reigns of the Antonine emperors, Antoninus Pius (138-161), Marcus Aurelius (161-180), and Commodus (180-192).